Creating Emotion This chapter of the oldest grammar book of painting is about the third aphorism out of six. It describes how to bring...

About Proportional Balance In this chapter, I will discuss the second aphorism, 'Pramanam,' which is related to the sense of perspective...

About the Form The primary thought of this aphorism was learning the observation technique, including an insignificant part of the...

Introduction I will now hash out some of the critical points related to art from an ancient grammar book of painting, which was the...

I am delighted to present the sixth and final figurative form of Indian classical music, Nat Narayan Raga. I have observed notable...

This article delves into the intricacies of Pancham Raga, the fifth melody in Indian classical music. Before commencing my discourse, I...

For decades, the authenticity of Ragamala paintings has been a subject of numerous controversies. The common belief among ordinary people...

In this segment, I am to present the third figurative model of Indian classical music, known as the Bhairava Raga, for the summer season....

In the initial episode, I expounded upon the primary symbolic representation of musical rhythm enacted through the portrayal of...

Drawing inspiration from the intricate miniature painting techniques of the 16th century, I have opted to delve into a comprehensive...

Preface The Indian Ragamala Painting is a vibrant and intricate art form that has been part of Indian culture for centuries. It is a...